{"id":2471,"date":"2017-10-19T20:23:58","date_gmt":"2017-10-19T20:23:58","guid":{"rendered":"http:\/\/www.neilferguson.net\/?page_id=2471"},"modified":"2024-04-24T19:11:13","modified_gmt":"2024-04-24T19:11:13","slug":"film-and-documentary-work-1","status":"publish","type":"page","link":"https:\/\/www.neilferguson.net\/?page_id=2471","title":{"rendered":"Film &#8211; Circulating Air"},"content":{"rendered":"\n<p><strong>A Film by Matthew Vincent-Townend and Neil Ferguson,<\/strong> 2015<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"431\" src=\"https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Cir-Air-Walk-3.jpg\" alt=\"\" class=\"wp-image-4098\" style=\"width:668px;height:auto\" srcset=\"https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Cir-Air-Walk-3.jpg 650w, https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Cir-Air-Walk-3-300x199.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"410\" src=\"https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Circ-AirSkid-Circles-2.jpg\" alt=\"\" class=\"wp-image-4099\" style=\"width:667px;height:auto\" srcset=\"https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Circ-AirSkid-Circles-2.jpg 600w, https:\/\/www.neilferguson.net\/wp-content\/uploads\/2024\/04\/Circ-AirSkid-Circles-2-300x205.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n<p>\u00a0<\/p>\n<p><em>&#8220;In Order to perceive fullness one must retain an acute sense of emptiness which marks it off; conversely, in order to perceive emptiness, one must apprehend other zones of the world as full.&#8221; Extract from Susan Sontag&#8217;s, &#8220;The Aesthetics of Silence&#8221;.<\/em><\/p>\n<p>&#8220;Circulating Air&#8221; is a collaborative film project by Neil Ferguson and Matthew Vincent-Townend.<\/p>\n<p>From the first conversation the film set out to highlight reaction to unspecified places as jump off points to something, offering a\u00a0culture of play in <em>&#8220;Ballardian&#8221;<\/em> environments where past planning has lost relevance. Places that induce reactions to the architectures of existence.<\/p>\n<p>We breathe and circulate and the rest is&#8230;?<\/p>\n<p><a href=\"http:\/\/film.britishcouncil.org\/circulating-air\">http:\/\/film.britishcouncil.org\/circulating-air<\/a><\/p>\n<p><strong>AND&#8230;<\/strong><\/p>\n<p><a href=\"http:\/\/www.neilferguson.net\/\">https:\/\/vimeo.com\/ondemand\/circulatingair\/141255547<\/a><\/p>\n<p><a href=\"https:\/\/vimeo.com\/ondemand\/circulatingair\/141255547\">https:\/\/vimeo.com\/76577241[\/embed]<\/a><\/p>\n<p><a href=\"http:\/\/www.neilferguson.net\/\">http:\/\/www.youtube.com\/watch?v=RyO0nqtsnDY%20<\/a><\/p>\n<p><a href=\"http:\/\/www.neilferguson.net\/\">https:\/\/vimeo.com\/ondemand\/circulatingair<\/a><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>A Film by Matthew Vincent-Townend and Neil Ferguson, 2015 \u00a0 &#8220;In Order to perceive fullness one must retain an acute sense of emptiness which marks it off; conversely, in order to perceive emptiness, one must apprehend other zones of the &hellip; <a href=\"https:\/\/www.neilferguson.net\/?page_id=2471\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1706,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2471","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/pages\/2471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2471"}],"version-history":[{"count":6,"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/pages\/2471\/revisions"}],"predecessor-version":[{"id":4100,"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/pages\/2471\/revisions\/4100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=\/wp\/v2\/media\/1706"}],"wp:attachment":[{"href":"https:\/\/www.neilferguson.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}